Identity

Kunsthumaniora Sint-Lucas Gent
Identity
Kunsthumaniora Sint-Lucas Gent
2024
Identity
Kunsthumaniora Sint-Lucas Gent
2024

Kunsthumaniora Sint-Lucas Gent

Type Identity
Client Kunsthumaniora Sint-Lucas Gent
Extra website ↗
Year 2024

The new visual identity for Kunsthumaniora Sint-Lucas Gent focuses on creating a welcoming atmosphere for a secondary art school. This involved redesigning the school’s visual structure and directional signage. Additionally, we developed the school’s website and stationary to align with this new identity, ensuring consistency across all platforms. Inspired by the renowned architecture department of the school, we were inspired by graph papers. We incorporated distinctive colors for each section. This concept not only highlights the individuality of the different sections, yet maintains cohesion across the institution. The chosen typeface complements the existing logo which we fine-tuned.

Type Identity, Printed matter, Website
Client Kunsthumaniora Sint-Lucas Gent
Extra website ↗
Year 2024
Exhale
Identity
Exhale
Non-selected
2024
Identity
Exhale
Non-selected
2024

Exhale

Type Identity
Client Exhale
Extra Non-selected
Year 2024

Proposed concept for Exhale, a community centered on Techno Music established by Amelie Lens.

The concept of the identity relies on the utilization of a raster tool to generate typographical patterns that dialogue and overlap with a second, more readable typeface. The effects applied to the text draw inspiration from the concepts of breathing, mist, and smoke, commonly associated with techno events.

Additionally, the rasterizing effect holds potential for dynamic animation, particularly suited for live events or video promotions.

Type Identity
Client Exhale
Extra Non-selected
Year 2024
ART.English
Identity
ART.English
-
2023
Identity
ART.English
-
2023

ART.English

Type Identity
Client ART.English
Extra -
Year 2023

The logo of ART.English explores the concept of translation through a dynamic design. Letters are placed on a canvas from left to right with spaces between them. To enhance creativity and diversity, a specialized tool was developed for generating multiple logos. This tool randomly positions letters and adjusts spacing within the canvas.

When implemented, the logo is showcased in a larger format, complemented by a monospaced typeface.  The identity’s vibrant green color is intended to enhance visibility for both offline and online communication.

Type Identity
Client ART.English
Extra -
Year 2023
WAY
Identity
WAY
2023
Identity
WAY
2023

WAY

Type Identity
Client WAY
Year 2023

WAY is a specialty coffee roastery, a coffeehouse and a bakery in Ghent. The WAY brand identity draws its inspiration from the brand’s desire to showcase their expertise and meticulous approach to coffee production. In order to convey a scientific approach to coffee, the brand identity incorporates a playful approach to typography. It involves using various sizes of types, along with subscripts, superscripts and a play with the line-height. The identity also incorporates four symbols that are associated with specific traits of coffee.

Type Identity, Printed matter, Website
Client WAY
Year 2023
Belgian Art & Design Fair 2023
Identity
Belgian Art & Design Fair
2023
Identity
Belgian Art & Design Fair
2023

Belgian Art & Design Fair 2023

Type Identity
Client Belgian Art & Design Fair
Extra BA&DF ↗
Year 2023

For the 2023 edition, Studio Studio seamlessly extended the visual identity designed in 2020, creating a connection between both editions.

The established design elements persist, contributing to a cohesive and easily recognizable brand identity. With higlighting more the used grid in the visual identity of 2023 it links the visual identity to the developed scenography in edition 2023.

Type Identity, Printed matter, Website
Client Belgian Art & Design Fair
Extra BA&DF ↗
Year 2023
Graphic Graphic
Creative Direction
Graphic Graphic
2023
Creative Direction
Graphic Graphic
2023

Graphic Graphic

Type Creative Direction
Client Graphic Graphic
Year 2023

The genesis of Graphic Graphic was sparked by a shared sentiment among Belgian graphic designers: a desire to dissolve the veil of unfamiliarity that shrouds our practices, discipline and more generally our body of work. We questioned whether we, as graphic designers, could collectively define what makes Belgian graphic design particular. In response to this challenge, Graphic Graphic was founded with the intention of making the Belgian graphic design scene more accessible, comprehensible and appreciated.

 

Graphic Graphic is a platform that was founded by Studio Studio during the spring 2023. The first event was entitled Fast Life and was focusing on posters. This exhibition was held during the Belgian Art & Design Fair 2023 at Arsenaal Gentbrugge.

Type Creative Direction, Identity, Printed matter, Publication, Website
Client Graphic Graphic
Year 2023
Ponton magazine
Identity
Z33 & Designregio Kortrijk
2022
Identity
Z33 & Designregio Kortrijk
2022

Ponton magazine

Type Identity
Client Z33 & Designregio Kortrijk
Year 2022

Ponton magazine strives to create a connection between designers and people. The first issue centers around five young and emerging designers, sharing some of their stories. Additionally, Ponton features interviews with other designers. The magazine’s primary goal is to inspire readers and focus on the creative journey of designers rather than just their final products. Through this approach, Ponton sheds light on the various challenges designers face in today’s creative process, particularly young and recently graduated ones. It aims to foster dialogue, encourage reflection and promote knowledge sharing through diverse presentation and working methods.

Ponton serves as both a carrier of content and a showcase for talents. It offers designers a platform to discuss and share their ambitions, doubts, successes, and failures. To convey the essence of the creative process, which is often a blurry and evolving journey, we employed a pixellated typeface. This typeface not only introduces varying degrees of blur and pixelation but also embodies the gradual clarity that emerges from the mist of creation. A sans-serif typeface is used alongside giving a sense of clarity throught the process.

Furthermore, to maintain a clear overview of the magazine while breaking away from linearity, we developed a system of keywords and labels that extend throughout every article. These labels can be found at the beginning of the magazine, inviting each reader to interpret and comprehend the content in their own way. This design choice aims to create an engaging reading experience, departing from the conventional structure.

Additionally, the magazine places special emphasis on the center of its editorial object: the spine. The layout and structural choices are a tangible representation of how Ponton literally bridges the gap, symbolizing its core mission.

Type Identity, Printed matter, Publication, Website
Client Z33 & Designregio Kortrijk
Year 2022
Arsenaal
Identity
Arsenaal
2022
Identity
Arsenaal
2022

Arsenaal

Type Identity
Client Arsenaal
Extra
Year 2022

Arsenaal is a former train repair centre built in the late nineties century by the national railway company. This is a large complex of industrial buildings in Ghent that were left by the railway company in 2019. It has since become a place illegally used by street artists, making it a popular and underground destination.

In 2022, it was acted: parts of the site could be used as a new cultural venue for the city. in September 2022, a first month of festivities is taking place for which we created an identity.

The identity is a tribute to the industrial metallic rooftop structures of the Arsenaal site. Playing with only a few parameters we created a cheerful and rhythmic aesthetic. The background lines together with the typography (Haüser) recall the systematic architectural motifs highlighting their specificities. The text, over and above the background lines creates sequences of patterns emphasized by its own justification to the margins.

Type Identity, Printed matter, Website
Client Arsenaal
Extra
Year 2022
Phono
Creative Direction
Phono
2022
Creative Direction
Phono
2022

Phono

Type Creative Direction
Client Phono
Extra Phono ↗
Year 2022

Phono, a listening bar in Ghent, immerses patrons in a unique blend of sound, food, and drinks. During the Gentse Feesten 2022, Phono made its debut in a pop-up location in the city center of Ghent, featuring live DJ performances, food and special cocktails. To mark this event, we introduced Phono’s identity for the first time. This encompassed interior interventions, including the bar and door, alongside the creation of a website, business cards, and a lightbox.

 

The identity is inspired by graphic representation of sounds and phonemes. We created a grid as a starting point that stretches and adjusts to the dimensions of the communicating medium, playing with circles and dots. Each circle represents one of the highlight of the bar: music, food and beverages.

Type Creative Direction, Identity, Website
Client Phono
Extra Phono ↗
Year 2022
Belgian Art & Design Fair
Identity
IJV-IFAS
2021
Identity
IJV-IFAS
2021

Belgian Art & Design Fair

Type Identity
Client IJV-IFAS
Extra 🎪 Website
Year 2021

The Belgian Art & Design Fair is an annual fair showcasing and promoting Belgian art and design. It acts as a fun fair where the boundaries between the two disciplines are merged, blent and blurred. It is the only fair in Belgium that offers to combine the two practices and mingle them into a single event.

 

In 2019, we designed a new visual identity for the fair. It started with an elementary concept following the idea of the exhibition: nothing is the same, everything is different. While a wide range of styles, disciplines and processes are displayed, the identity centres around the notion of eclecticism, closely resonating with the scenography designed by Doorzon interior architects and Theo De Meyer.

With the intention to be used and adapted for further events during upcoming years, the identity of The Belgian Art & Design Fair works as a system. Each visual is a playground that constantly uses different elements; a system that challenges itself into inventing new solutions for various events, visuals, single creators as well as for collective exhibitions.

Colors can be adapted, placement, fonts, shapes, to create continuous possibilities. It was created as a lasting and identifiable part of the Belgian art and design community, including the red, yellow and black colors of the Belgian flag.

Type Identity, Printed matter, Publication, Website
Client IJV-IFAS
Extra 🎪 Website
Year 2021
Theresia
Identity
Theresia
Non-selected
2021
Identity
Theresia
Non-selected
2021

Theresia

Type Identity
Client Theresia
Extra Non-selected
Year 2021

Theresia is a cultural hotspot nested in a former convent in the center of Ghent. The location takes its name from Theresia d’Avila who reformed the carmelite order in the XVI century. This order was carecterize by a stern and frugal way of living. People confessed to this order were recognizable by the specific shade of brown of their costume.

 

In 2021, we proposed an identity for the opening of this new cultural location meant to revive history of the convent as well as making it an alternative contemporary venue in Ghent.

We decided to keep a strong bond to the convent’s past by using a radical squares grid together with a single brown color (Pantone 1605 U). From these two ascetic componant, we created a gradient system combined with the Arthemys (designed by Morgane Vantorre) typeface.

Type Identity
Client Theresia
Extra Non-selected
Year 2021
Start To Collect
Identity
Start To Collect
2021
Identity
Start To Collect
2021

Start To Collect

Type Identity
Client Start To Collect
Extra Website
Year 2021

Start To Collect serves as a platform tailored for individuals new to art and design collecting. Studio Studio handled the branding, website development, and membership campaign for this initiative.
This platform is designed to be user-friendly, offering a clean interface and distinct sections dedicated to exploring art and design. On the homepage, an emphasis is placed on accessibility for novice collectors, showcasing an overview of services. The website’s primary focus appears to be on educating and guiding users through the journey of initiating their own art and design collections.
The branding is a dynamic visual identity, adaptable to various media channels, ensuring a cohesive and versatile representation across different platforms.

Type Identity, Printed matter, Website
Client Start To Collect
Extra Website
Year 2021
Greenhouse Talent
Identity
Greenhouse Talent
2020
Identity
Greenhouse Talent
2020

Greenhouse Talent

Type Identity
Client Greenhouse Talent
Extra 🎙 website
Year 2020

GreenHouse Talent is an independent booking agency and concert promoter founded in 2005 that organizes muscial and comedy events all over Belgium and the Netherlands.

 

In 2020, we launched a new identity for the company. We based the later on a highlighting concept. Not only the new system gives the company a clear and recognizable image, but it also participates in emphasing artists names and concerts by putting them under the light. Each artist is given a personal highlighting color that allows the identity to adapt to each individual artists. In this manner, the company manages to combine the singularity of each artists together with the image of the agency.

Type Identity
Client Greenhouse Talent
Extra 🎙 website
Year 2020
Another Graphic
Identity
Self-initiated
2019
Identity
Self-initiated
2019

Another Graphic

Type Identity
Client Self-initiated
Extra 💙 website
Year 2019

Another Graphic is a digital archive focusing on typographic treatment within graphic design practices. We have been curating this archive for about 10 years, allowing us to share our interest in typography but also continue to look for exciting development in the field and get curious about other designers works.

 

Over the years we noticed a growing interest for this digital archive and consequently we decided to take a step further and create a specific identity for it. Alongside, we also developped an online platform working as a tool to research, classify and find data within the archive.

 

Our visual aesthetic draws inspiration from the concept of a classified archive: a set of classified documents kept for consultation. Every design element is thoughtfully considered, enhancing the user experience and inviting seamless engagement with the content.

 

The Monotesk font used in the identity is a typeface we designed in collaboration with Emma Marichal exclusively for this platform and new identity. It is a typeface at the interesction of a grotesk and a monospaced, an hybrid version of a typewriter font.

 

From its humble origins as a digital repository, Another Graphic has blossomed into a vibrant community hub, accessible through the website, anothergraphic.org, and the social media platforms @anothergraphicdotorg (Instagram, Pinterest, Tumblr, Facebook). Our mission remains unwavering: to cultivate a global network of creatives united by a shared passion for graphic design, with a particular focus on pushing the boundaries of typographic innovation.

Type Identity, Typography, Website
Client Self-initiated
Extra 💙 website
Year 2019
Binst Architects
Creative Direction
Binst Architects
2018
Creative Direction
Binst Architects
2018

Binst Architects

Type Creative Direction
Client Binst Architects
Extra
Year 2018

Studio Studio played a pivotal role in the comprehensive rebranding of Crepain Binst Architecture to Binst Architects. This involved a holistic redesign, covering the creation of a new logo and tagline to establish a fresh visual identity. Studio Studio also carefully selected typefaces and fonts, ensuring a consistent and distinctive typographic identity across various platforms. Additionally, they devised a robust system to empower architects in creating bundles efficiently, allowing seamless integration of components from a library and streamlining the architectural process. The rebranding extended to physical spaces with impactful signage reflecting the firm’s identity. From note blocks to invitations, from business cards to banners Studio Studio curated a cohesive set of collateral, reinforcing the brand image in every interaction.

Type Creative Direction, Identity, Printed matter
Client Binst Architects
Extra
Year 2018
Remember Biennale Interieur
Identity
Dift
2018
Identity
Dift
2018

Remember Biennale Interieur

Type Identity
Client Dift
Extra
Year 2018

Studio Studio was invited to pay homage to Biennale Interieur, granting access to the extensive archive of printed materials. While exploring the archive, the attention was captivated by the posters and catalogues designed by Boudewijn Delaere for the Biennale. His identity, evolving with contemporary design, resonated strongly with Studio Studio’s vision as a graphic design bureau—bold colors, applied shapes, minimalistic approach, integrated logo, and prominent typography.

Inspired by this identity, Studio Studio embarked on a thorough investigation, discovering that other leading graphic designers had also experimented with Boudewijn Delaere’s work. Following a similar logic, Studio Studio distilled simple forms and colors from the overall graphic identity.

Simultaneously, a clear trend emerged from the recent catalogs: the vast possibilities for personalization and the creation of individual interiors. This insight, combined with the distilled graphic elements, culminated in the creation of the playful graphic game ‘Remember Biennale Interieur.’ A nod to the numerous flags used in the announcement of the Biennale, the game’s cards reflect the symbiosis of forms and colors. The game first invites players to explore and recognize the evolution of Biennale Interieur’s graphic identity through a memory game. Subsequently, players are challenged to design their unique Biennale poster using their matched pairs.

Video by Dift: The New Masters

Type Identity, Printed matter
Client Dift
Extra
Year 2018
Gentse Feestjes
Identity
De Spooiberg
-
2018
Identity
De Spooiberg
-
2018

Gentse Feestjes

Type Identity
Client De Spooiberg
Extra -
Year 2018

Studio Studio has developed the identity for a small cultural festival during The Gentse Feesten, (Dutch pronunciation: [ˈɣɛntsə ˈfeːstə(n)];) known as “The Festival of Ghent”, while operating within a limited budget. The creative approach involves the design of a multifunctional grid that can be cost-effectively printed and manually filled in, ensuring a practical and versatile solution for the festival’s diverse needs.

Type Identity, Printed matter
Client De Spooiberg
Extra -
Year 2018
Leven in ‘t Park
Identity
Destelbergen
Non-selected
2017
Identity
Destelbergen
Non-selected
2017

Leven in ‘t Park

Type Identity
Client Destelbergen
Extra Non-selected
Year 2017

Annually, the city of Destelbergen, Belgium, hosts the Leven in ‘t Park festival. Studio Studio was invited to propose a design for this event. The submitted design intricately visualizes the festival’s course, organized into three distinct parts: morning, afternoon, and evening, each delineated by specific timetables featuring various planned activities. Alongside this systematic approach, a typographic image was designed to enhance the festival’s overall recognizability.

Type Identity, Printed matter
Client Destelbergen
Extra Non-selected
Year 2017
De Papega(e)y
Identity
De Papega(e)y
🦜🦜🦜
2017
Identity
De Papega(e)y
🦜🦜🦜
2017

De Papega(e)y

Type Identity
Client De Papega(e)y
Extra 🦜🦜🦜
Year 2017

Studio Studio crafted the visual identity for De Papega(e)y, an association established in 1992 with the core objective of acquiring land at the intersection of Papegaaistraat-Twaalfkameren. The cornerstone of this design process was the distinctive form of the corner, serving as inspiration for the logo. This unique logo, derived from the corner’s shape, became the focal point of a recognizable visual identity.

 

This identity extends to various materials such as flyers, banners, and T-shirts, maintaining consistency across different mediums. The logo, a visual embodiment of the corner’s form, stands as a symbol of the association’s mission, creating cohesion and easy identification for both members and the broader community.

Type Identity, Printed matter
Client De Papega(e)y
Extra 🦜🦜🦜
Year 2017
Vlaams Fruit
Identity
KC Vlaams Fruit
2017
Identity
KC Vlaams Fruit
2017

Vlaams Fruit

Type Identity
Client KC Vlaams Fruit
Extra
Year 2017

The Flemish art centre Vlaams Fruit offers qualitative (textual) theater for adults and a younger (inter-)national public. It’s a creative place for professional artists and makers. The art centre exists of two theatres, Het Appeltje and Het Klokhuis, two of the last authentic theatres in Antwerp.

Studio Studio developed the visual identity. Starting with a logo that can be used with constructed and deconstructed elements the diversion of the two theatres is shown in a dynamic way.

 

Type Identity, Printed matter
Client KC Vlaams Fruit
Extra
Year 2017
Kavka
Identity
Kavka
2016
Identity
Kavka
2016

Kavka

Type Identity
Client Kavka
Extra
Year 2016

Kavka stands as a versatile cultural center dedicated to the youth of Antwerp, encompassing two distinct locations—Kavka and Zappa. Studio Studio played a role in shaping their visual identity, employing a system based on lines and contours to strike a balance between differentiation and cohesion.

Meeting the need for a monthly event calendar in poster format, the developed system ensures variation while maintaining consistent recognition. This flexibility allows for diverse realizations, and all posters are printed and distributed across the streets of Antwerp.

Furthermore, the concept developed for the visual identity proved instrumental even during the 10-year anniversary, providing a reliable and enduring foundation for Kavka’s visual communication.

Type Identity, Printed matter
Client Kavka
Extra
Year 2016
Colorblind
Identity
Vlaams Fruit
2016
Identity
Vlaams Fruit
2016

Colorblind

Type Identity
Client Vlaams Fruit
Extra
Year 2016

COLORBLIND stands as an educational production by the theatre company Vlaams Fruit, delving into an experiment overseen by three adults and uncovering concealed secrets. Addressing a poignant question – “What do you do when someone is bullied?” – the production confronts teenagers with their own reactions, prompting them to literally reveal their true colors. Throughout the play, students engage in an interactive testcase intricately linked to the scenography and identity conceptualized by Studio Studio. The logo, crafted with a potent fusion of geometric shapes, mirrors the patterns integrated into the scenography, creating a cohesive visual language.

Type Identity, Printed matter
Client Vlaams Fruit
Extra
Year 2016
Toegepast 20
Creative Direction
Cultuurplatform Design & Z33 (Provincie Limburg)
-
2015
Creative Direction
Cultuurplatform Design & Z33 (Provincie Limburg)
-
2015

Toegepast 20

Type Creative Direction
Client Cultuurplatform Design & Z33 (Provincie Limburg)
Extra -
Year 2015

Toegepast is a design competition where designers are selected by Cultuurplatform Design, in collaboration with House for contemporary art Z33, to embark on a year-long project of their own.

Collaborating with furniture designer Adriaan Tas, Studio Studio curated the scenography and graphic design for the Toegepast 20 exhibition. Emphasizing both the process and the final product, the exhibition employs an archive system that showcases not only the outcomes but also the sequential steps taken. The archive categorizes design stages into input, process, and output, each marked with a symbol that defines the custom-made archive system.

Type Creative Direction, Identity, Printed matter, Publication, Website
Client Cultuurplatform Design & Z33 (Provincie Limburg)
Extra -
Year 2015
Mad Surprize! Expo
Creative Direction
Mad Brussels
2015
Creative Direction
Mad Brussels
2015

Mad Surprize! Expo

Type Creative Direction
Client Mad Brussels
Extra
Year 2015

Mad Suprize! is a Belgian design award that offers opportunities to designers in product, textile, and graphic design categories. Previous editions have unveiled a generation of talents now contributing to the momentum of design in Belgium.

For the Mad Suprize! Design Awards 2015, Studio Studio developed the graphic visual identity. The Open Call poster featured sharp cut geometric shapes, transitioning into soft amorphous forms for the exhibition ranging from on-site printed matters to expansive window graphics. Collaborating with Arko Studio, the scenography complemented the overall design concept.

Type Creative Direction, Identity, Printed matter
Client Mad Brussels
Extra
Year 2015
By vanharten
Identity
By vanharten
2015
Identity
By vanharten
2015

By vanharten

Type Identity
Client By vanharten
Year 2015

Studio Studio, in collaboration with photographer Lonneke van der Palen, handled the graphic design for the 2016 lookbook featuring the Wear/Ware collection—a combination of functional homeware and wearable garments by Dutch design label By vanharten. This presentation aims to depict the versatility of the collection in a straightforward manner, utilizing small typographic elements to explain the function of each product and garment in a clear and supportive role.

In addition to the lookbook, Studio Studio developed a logo for By vanharten, focusing on versatility and playfulness. The logo is intended for use on hangtags, woven labels, as well as in print and online applications, aligning seamlessly with the clean and minimal designs of By vanharten. It contributes to a narrative of lightness and elegance, enhancing the brand’s presence across various mediums.

Type Identity, Printed matter
Client By vanharten
Year 2015
Het Entrepot
Identity
Het Entrepot
-
2015
Identity
Het Entrepot
-
2015

Het Entrepot

Type Identity
Client Het Entrepot
Extra -
Year 2015

Het Entrepot is an open house and creative workspace for young talent. Studio Studio was asked in a pitch to make the new visual identity. We designed a dynamic visual identity based on the meaning of the term ‘entrepot’ (= warehouse). Our design concept, rooted in the essence of ‘entrepot’ as a warehouse of possibilities, envisioned a dynamic letter ‘E’ serving as a versatile canvas for diverse content. Each content must be placed inside the letters E. The letter is the binding item and can be used in a variety of forms and lines. Studio Studio’s proposition was not selected and came in second place.

Type Identity, Printed matter
Client Het Entrepot
Extra -
Year 2015